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Empire Ears LEGEND-X Full REVIEW
Empire Ears LEGEND-X are the best IEM or headphone/earphones I have ever heard.

This picture has a lot of meaning to what I will write. I will use other tracks for other reasons but this is why I say what I say. The visual is symbolic. Lost in the desert and pulled right into an Oasis
I was standing,
I hit play on a D.S.D of Pink Floyd’s “Welcome to the Machine”
I slowly sat down.
Welcome to the Machine…indeed

This isn’t a review it’s a story. You virtually walk while I virtually talk and my story will be over in 5 minutes.
That’s not bad,
Indulge me man..
Give me undo favor of your time…just trust me. Thanks in advance
Request #1
Note and then listen to the portion mentioned then stop.
From 0 – :45 seconds is an intro (elevator taking you to the machine)
Within that frame is a rhythmic panning from left to right channel that comes in around second :30 of this :45 second part
Request #2
Note and then listen to the portion mentioned then stop.
From 2:43 begins a series of 3 sonic buildups :
Stage 1 is from 2:43 and “happens” at 2:55
Stage 2 is from 3:06 and “happens” at 3:16
3:21 – 3:37 is Nick Mason ripping what sounds like multiple bass drums and was as clear as I have ever heard in my life. Worth a listen.
Stage 3 is from 3:36 and “happens” at 3:48
David Gilmour links the 3 with an acoustic guitar. You can just play 2:43- 3:48
The 3 part build-up was impressive even when I was a kid. The elevator to open the track, the hard rhythmic panning that morphs into what sound like air blasts panning hard left to right for a few seconds. It always blew me away since I was maybe 7 years old.
Now, the whole thing on the Empire Ears LEGEND X floored me but the clarity of the drum 3:21-3:27 was like hearing it for the first time in my life. I could hear every point of contact on what sounds like 7 strikes a second in bursts.
That track, that I have heard sooooooo many times just impressed the shit outta me. Holy ….the fuuuuuck?? It was big and wide and dynamic and had all I knew like the back of my hand and a couple new treats.
Then I set off on my regular listening after having been sat down in my tracks by the “Welcome to the Machine”….experience
The MIDS
Gold Dust Woman
Every bit of detail in the mids is fantastic with nothing getting in the others way. Have never heard Stevie sound as good. Feels like you can visualize her mouth getting closer and moving away from the mic in the studio. Fucking amazing stuff. Seriously, how many IEM can convey the live/I can hear her breath feeling on this track? Only this set can
The entire album, vocal and guitar-centric as it is, absolutely shines on the LEGEND-X.
The STAGE
Foreplay/It’s been such a long Time
This is a track that is studio recorded…. stadium mixed. Like Floyd, BOSTON is taking you on a ride as far as your gear can take you. They use panning a lot and put parts of the track as far around your head as your gear allows. It goes total spacial out of head with these IEM
The LEGEND X is again blowing my mind a little. I have a complete system properly crossed over in my fraking ear. Don’t ask how it compares to ________ because it is better.
The BASS
I imagined LEGEND X was sent to me because it has 2 subwoofers, but I imagine lots of stuff. No way this very expensive kit was sent for just bass? No way… If they read any review at all they know I like Pink Floyd, Fleetwood mac, BOSTON, Bob Marley…and on and on. Hip hop thumps with authority but the separation and impact and detail of Nick Mason’s drums on the track mentioned to open this review/rant was mind blowing. My car audio and home systems have always been geek level in quality and price and time corrected and everything,…. but these little IEM are blowing my mind.
The TREBLE
Wanna be Startin’ Somethin’
Synesthesia:
The guy that mixed this has that and he put a lot of silver and gold on this track. He described the high frequency as being those colors iirc and again the LEGEND X is just glittering and sparkling with all kinds of well played silver and gold. Masterpiece of a production. Mike went sideways but this album is a piece done by masters…so it is a masterpiece….that shines on the Legend X
What the hell is Empire Ears doing?
From E.E
“While neutral in tone and a balanced signature throughout, an addictive treble energizes the music, while simultaneously remaining smooth. But our greatest challenge yet was incorporating the low-reaching, impactful bass of the W9 subwoofers, with technical performance rivaling any in-ear monitor on the market; a challenge we can proudly proclaim we have overcome. Offering top-tier levels of transparency and separation, as well as one of the widest sound stages in the industry, our flagship has earned its position at the top of the lineup: a Legend is reborn.”
Let me translate that for ya:
Most music from Symphony to Street Rap has bass and putting that with accurate mids and detailed and spacious highs is really freaking hard. Most of our rivals fail right here. We think we nailed that.
I think they did
Technical Specifications
7 Proprietary Drivers, Hybrid Design
2 W9 Subwoofers, 2 Mid, 1 Mid-High, 1 High, 1 Super High
10-Way synX Crossover System
A.R.C. Resonance Mitigation Technology
26AWG UPOCC Litz Copper Cable, Handcrafted by Effect Audio

They got a 10 way x-over system and (2) w9 subwoofers. I am a car audio guy and loved my JL Audio “W” series subs so…I am digging this on all levels.
Hey NOBLE..

Ever heard their flagship and felt confused?
Your like me then…lets keep going…
The crossover system has never been played with by me because it sounds epic as is but the design should be absolutely amazing for folks who tweak with EQ as the adjust will really…REALLY only relate to the single driver assigned to that freq region
synX Crossover Technology
The brains of the Machine. My personal thought is this is where the whole thing goes from a part of the TOTL pack to the top of it. Having a properly crossed over system is basic audio 101 for any set-up with multiple drivers. This is very basic to the whole thing coming together

Weapon IX
From E.E
“Weapon IX (W9), a proprietary 9mm rare-earth magnet subwoofer with the ability to deliver extreme output, accurate dynamics and sublime sound quality all at the same time. The keys to these performance capabilities lie at the very core of its design, where the woofer is enclosed in a tuned bass-reflex system with a front-firing sound port and rear-firing vent for maximum efficiency.”
Let me translate that for ya:
Bass is a full 1/3 portion of the audio spectrum and taking greater care with that 1/3 is over looked by many of our competitors. We tried harder, we think we nailed it.
I think they did too.


From E.E
The Legend X utilizes a number proprietary balanced armature drivers by Knowles and Sonion, each one purpose built for a specific target response. Our drivers feature specialized reeds and low-mass diaphragms to reproduce incredible detailed, true-to-recording sound while remaining efficient enough to be powered by everyday devices.
Furthermore each Empire driver utilizes a NASA-born ferromagnetic liquid technology, Ferrofluid, to dampen acoustics peaks and reduce vibrations in combination with our A.R.C. technology. The end result is extraordinary clarity and increased shock durability.
Let me translate that for ya:
A recent tend in the industry is to stuff a crazy # of BA drivers in a shell and charge extra for it. More drivers is more money and sometimes, way too often that does not result in improved audio quality, in–fact, the exact opposite often occurs because of little thought to acoustics…which is puzzling as the science ..acoustic science predicts the issues that doing multiple horns in a single enclosure might cause. We think we found a way to deal with that using science.
I think they did too

Cable included with LEGEND X
3.5 / 2.5/ .4.4 available

What’s you get with the LEGEND
- In Ear Monitor
- Empire Aegis Case
- Empire Dust Bag
- Empire IEM Pouch
- Empire Cleaning Cloth
- Empire Cleaning Tool

About Me:

I would advise you sell your gear, get out of the $500 zone and stop chasing your tail. I have been there.
It would be wiser to buy an item like this and get off the hype train and all of it’s routes and stops and save your sanity, time and get back to enjoying music if that’s why you are in this.
That is my Review of Empire Ears LEGEND-X
I may edit and update but my opinion of it being the best set of IEM your money can buy will not be changed or edited






Official site for purchasing
Facebook page
https://www.facebook.com/EmpireEars/
Head-Fi thread for reading more about the Empire Ears LEGEND X
https://www.head-fi.org/threads/empire-ears-discussion-impressions-formerly-earwerkz.786335/
Campfire Audio ATLAS (review coming)
Review of the new Campfire Audio Atlas is coming soon so stay tuned.








Campfire Audio site
https://campfireaudio.com/shop/atlas/
Head-Fi discussion thread
https://www.head-fi.org/threads/new-campfire-comet-and-atlas.876320/
Darko
Campfire Audio COMET REVIEW
Stunning beauty and fantastic sound are 2 things the new Campfire Audio COMET give you. Highly rec’d
Lets get one thing out of the way…right away..
Campfire Audio does not mess around. They punch the competition right in the mouth and they do it often…bout every damn time they release something.
The quality is always top notch. Campfire Audio gear is designed and made in America.
I’m American.
I enjoy typing “Made in America”
I reaaaaaaally enjoy it when what I am talking about is exceptional and on par and beyond, items made by the most famous, high quality personal audiophile gear manufacturers on the planet.
Review of Campfire Audio Comet:

The set goes for $200
$200 does not often (ever?) ..buy you a set of this quality. 3D modeled, drop forged steel, polished beauties with mmcx removable LITZ cable.
I am going to save the pic and vid bombing for the bottom of the review so you can get what you came for right away.
…the f’ing sound!
STAGE:

LED ZEPPELIN – Stairway to Heaven
I grew up on this album among others. This was one of my Mom”s favorites. The song opens like pedals on a flower one by one as each member comes into the fold. This song has an epic build up from the slow opening guitar notes into a full on rock and roll explosion that goes in all directions sonic wise and that makes for a good psycho-acoustic stage. After growing up with vinyl on home systems it always sounded very compact on mp3 files and ipods but moving up to items like Sony’s WM1A and using high quality vinyl rips brought back the familiar separation between Robert Plant, John Bonham, John Paul Jones and Jimmy Page.
The Campfire Audio Comets are using a single wideband Balanced Armature driver and deliver a stunning sense of realism.
TREBLE:

BOSTON – Foreplay/It’s been such a long time
I use this song for staging usually but it has so much upper frequency info it can be an excellent evaluator of treble detail, and expose roll-off. All of the notes I expect to hear are heard. There are no obvious caverns along the treble frequency. It would be clear. It always is. Lots of stuff sounds just alright with this song and some…few, sound fantastic. The Campfire Audio comets are a new one in the fantastic group.
I have to say again these are $200 and are a single balanced armature driver
BASS:

LED-ZEPPELIN – Dazed and Confused
Another Zep track…..yeah…shoot me!!
This was THE FIRST track I ever played with the Campfire Audio Comets because I doubted/expected the bass to be lacking or at least some roll off in the sub-bass.
Nope.
This was when I knew this was not going to go as expected and was the beginning of the awesome…I smiled.
I like Ken (never met him) but we have a common tie to…Hawaii.
I was going to try and be very polite to a guy who seems genuine and is really out to make great gear, but, the bass is going to be an issue and I gotta be honest, my bass loving brethren are reading this…..and……like I said above…I smiled, this set is just fine..because I like good bass that does not screw my mids and these really really surprised me.
The bass guitar string pulls are clear and defined and resonate and decay in a natural manner. They are as they should be. Man that is so rare and I have never experienced that with a single BA. Never experienced that with a set that has 4 BA just for bass…crazy. And the mids are excellent……craaaazy!
Totally impressed.
MIDS:

FLEETWOOD MAC – Gold Dust Woman
The most important is the last on the list.
The Campfire Audio handle vocals like a boss…..or put another way, these are very good/exceptional in the mids
The mids are a slave to bass and confused as treble and get blamed for most sonic issues cuz they do…in fact, (the issues) reside along their range.
Bass that is elevated too long will encroach on mids and create a veil that can cover the entire mids and sometimes the whole audible spectrum. This is most apparent with vocals both Male and Female vocals as the fundamental range of both sexes spans more than half of the mid range. The harmonic range fully crosses and goes way into the treble If it is veiled by late bass or recessed tuning or an un natural bump before the treble you will hear it.
http://www.independentrecording.net/irn/resources/freqchart/main_display.htm
This Fleetwood Mac track had at least 2 female and 2 male voices. There are often other layers with unknowns but Mick, Lindsay Stevie and Christie are definitely there. It sounds like Stevie Nicks was mastered in at a slightly higher level than everything besides the guitar and some effects. The other vocalists are a tad back but if this track is played with bad mids they will sound quite distant. Stevie is met by backing vocals by Christie that are about as loud as Stevie appears to be during the outro both saying “woman” together near the end of the song. If you know this song really good you can hear scooped/veiled/forward or recessed mids pretty much right away.
If the bass is good and the treble is great…you got 2 outta 3…right…that’s good yeah?
No…the whole thing will go down the “V” sig toilet and be just another set of in ear monitors.
The mids….they make this set great.
What’s in the Box bro?
The video…it shows all
Review in vid and on this site coming soon













Campfire Audio’s Site
https://campfireaudio.com/shop/comet/
Darko
Head-Fi’s thread
https://www.head-fi.org/threads/new-campfire-comet-and-atlas.876320/
The FiiO Q5 amp/dac (pics/review coming)
Adverts from FiiO:







※ Dual AK4490EN DAC chips for the ultimate in decoding performance
※ XMOS USB Audio to ensure a rock-solid connection
※ Certified by 3 Major Bodies (Hi-Res Audio, MFi and aptX)
※ Interchangeable amp modules, fully compatible with FiiO’s lineup
※ Balanced and single-ended outputs all in the AM3A
※ Audiophile-grade components (OPA1642 + MSP432 + Panasonic film capacitors + NJW1195)
※ State-of-the-art ADC volume control
※ 3800 mAh battery for longer listening







FiiO FH1 REVIEW
The FiiO FH1.
FiiO’s taking aim at the meat of the market.
The FiiO FH1 is a shot at the Beats babies. That is a good shot to take as they are a massive chunk of market.






The FH1 uses
(x1) Dynamic 10mm Titanium
(x1) Balanced armature drivers. the “Knowles”33518
Specification
Frequency Response: 20Hz – 40KHz
Impedance: 26Ω
Sensitivity: 106dB/mW
Maximum Input: 100mW
Plug Type: 3.5mm + 2.5 mm
Cord Length: 120cm
Single Earbud Weight: 3.65g
Design


FiiO has made a plastic design with an MMCX connect and mesh covered nozzle with a lip for securing the eartips. The interior is lined with plastic to secure the driver and reduce resonance. The nozzle is fitted with a brass tube to control bass resonance and reflection
It feels like a peanut which is cool cuz it sits in your ear like hearing protection. Like all of the Fiio F9, F9 PRO and this FH1, they all fit very good. VERY good.
Sound impressions:
STAGE

Foreplay/It’s been such a long Time
From F9 PRO
The wide spacey intro “Foreplay” is the kind of stadium rock anthem the the F9 PRO shine on. The treble clarity and peaks create a great sense of space. There is no perceived restriction on the virtual playback stage. Live recordings or those with large presentations from Classic to live 70’s arena rock shine on these
The FH1 has a slightly more intimate presentation but it is by no means restrictive.I just watched a vid describing this but damned if he mentioned a song…any song. The fuuu?
Using the song above the sense of space was still there but comparing with the F9 PRO it is not as wide..the sense of width anyway but that comes from treble peaks and i would take this over the F9 PRO
MIDS

Gold Dust Woman
Original F9 PRO comments
Male and Female vocal Fundamentals are stretched across the entire mid range.
Stevie Nicks and at times Lindsey Buckingham and others sound well balanced and well placed. The mids would be slightly forward or proper. There is no recess detected to my ears. The mid to early treble is one of the strong points of this set. Guitar also sounds very good both electric and acoustic.
FH1 (Same) CUZ IT’S almost.. SAME
Male and Female vocal Fundamentals are stretched across the entire mid range.
Stevie Nicks and at times Lindsey Buckingham and others sound well balanced and well placed. The mids would be slightly forward or proper. There is no recess detected to my ears. The mid to early treble is one of the strong points of this set. Guitar also sounds very good both electric and acoustic.
If you know where the mids start and finish you will note the almost identical lines so clowns claiming the mids are of less quality than the F9 PRO are just full of shit.

You.. of the broken ears and crippled morals or.. are just too lazy to even mention the music you listened to, to arrive at conclusions with no reflections to point to in measurements c’mon… I have been noting that since Summer 2017 and you folks are kinda messed up. This is music gear. What in the good god fuck did you listen to for fucks sake?
Music mentions when reviewing music gear..WHAT???
Has HBB gone mad!! Seriously. Sweep the garbage sites away by ignoring them. Ignore this site if the truth makes you queasy and uneasy.
FiiO did a graph:

BASS

Dazed and Confused
The opening notes of John Paul Jones Bass guitar are clear and extend into the harmonic range nicely. The lower sub-bass seems to be somewhat lacking. These are not basshead in any form nor were they advertised as such
Now this is where the real difference occurs. The bass is impactful and authoritative without EQ yet it does not bother the mids at all. This is easily my favorite “F” series IEM done by FiiO. Texture? Cmon man, 35Hz is 35Hz. It (the driver) moves with enough speed to play bass guitar solo’s with all 4 strings doing their thing and you hear it clearly. All music sounds great but, Reggae like Bob Marley – “Natural Mystic” sound dope. Nice punchy bass with Bob Marley and the Wailers coming in loud and clear
TREBLE

Shorty Wanna be a Thug
From F9 PRO review
There is a ton of studio deck mixing going on on this track and the better the treble the more you will hear. Everything comes through loud and clear. The F9 has a peak at 7-8Khz. The PRO has one at close to the same point according to their graph. it seems less harsh than the F9 to me? They could graph out identical but while it sounds like a bright IEM it does not grate on me like the F9 did initially. I got used to it or this is just a bit better in resolution, clarity and no worse than the F9 peak perhaps better. This could be my brain getting burnt in though so take that with 2 grains of Salt
The treble of the FH1 is not as airy or rough as the F9’s. Both of those sets are not comfortable for me listening to whole albums or sides of albums. The FH1 gets all the detail of this track with a slightly less sense of space due to treble peak position. It is an easy compromise for me as i like detail but not so much it limits my listening marathons.
Conclusion
Did FiiO do what they set out to do?
I dunno?
What were they trying to do with the colors….hmmmm bass and colors…sounds like…yup!
About time. That is a big market and they should make lots of these and hopefully sell them all. I LOVE THE FIIO FH1!! They finally got it right if 80% of the market means anything and damn…son….it sure as fu does!
1= BAD
10= AWESOME?

Initial unboxing video
Compared to F9 and F9PRO
FH1 Video Review
Buy it here:

Sony NW-ZX300 REVIEW
INTRO
I knew about The Walkman before I knew about the ipod.
Somewhere along the way the teacher (Sony), became the student of Apple. The ipod was simple and snappy and small. Sony was all over the map with new ideas every year and proprietary devices, systems and connectors. The must have made more money from folks trying to enjoy and integrate their devices with non Sony than they ever made of the devices themselves.
It was tiring and often not good.
However for every for every 5 FAILS there were some wins. The Sony EX1000 is considered by many to be the apex form of the single dynamic driver IEM design. I like mine so much I spent more decorating it than the item itself.

I also found the MA-900 t be to my liking enough to do the same for them.

I had not realized that Sony had dug their way back into my life until they were there. They had not broken back into the player realm though.
It was hot garbage. It favored Sony’s own file type…of course. I would rather learn a new version of Android than walk through that mess.
Then somebody tapped me on the virtual shoulder and thought i should have another look and I did..






Like an ipod on steroids with a nice weight and size. build quality supreme.
Navigation style

The interface is a series of panels that sit around the main screen that you can reach by swiping up/down/left/right. If you are in direct mode it’s that simple. ipod like in it’s ease.
If you switch direct off you get another level of DSP options including a nice 10 band EQ with another couple of options to satisfy the tweaker that lives in most gear geeks.

Dude..how the FFffUUUUuuuuUUU does it sound?
Sounds a tad south of Neutral. I hate Neutral. Has a tint of warmth and body to the music. Sounds real. Vocals and guitars sound clear and have good texture and transients. The note has a full life from the moment a bass guitar string is pulled until the harmonic extension has died away. This captures that perfectly.
Music will usually be whatever your earphones or headphones are tuned for. Good music players really should not be notable …just kinda get the fu out of the way and maybe leave a small sonic reminder they are there. The Sony NW ZX300 leaves a nice residue of musicality that is well received by the ex1000 or Unique Melody ME.1 (planar) or the 64 Audio U12 (Balanced Armature) or the NCM “Bella” (Hybrid).
Review of Sony NW ZX300 Video form
You are being pic bombed











Balanced output is where this thing shines the brightest. Believing in balanced benefits aside the power output is better and thus dynamics improve. There is always that.
I listened to this to come to this conclusion
Specs
NW-ZX300 – Key Features:
- Large TFT 3.1″ / 7.8 cm WVGA [800 x 480 Pixels] Display,
- Touch-Sensitive LED Backlight Color Display,
- 30/26 h – Standard MP3/High-Res Music Playback,
- Body:
- Solid single part CNC processed Stable Aluminium Body
- Benefits: Best Shielding and Noice canceling Results,
- S-Master HX™ – The Best Sound quality is Guaranteed By Design widely Implemented the “True Digital Paths”.
- High-Resolution, Hi-RES:
- Direct Stream Digital – DSD 11.2MHz,
- Standard MP3 – Up to 320 kbps, VBR Support,
- FLAC,
- WAVE,
- WMA,
- APE *.ape/ Up to 24 bit/max 192 kHz,
- DSEE HX™ For Restoring The Sound Quality of Lossy Compression Files,
- CXD-3778GF – Digital Amplifier,
- Connectivity:
- Bluetooth v.4.2 with A2DP and AVRCP,
- NFC,
- USB – V2.0,
- 22-pin WM PORT Socket,
- 10 Band equalizer,
- Dual Peak Meters Graphical Presentation,
- Spectrum Analyzer,
- Audio Output:
- Balanced Audio Jack – Diameter 4.4mm:
- Power Output: 2 x 200mW,
- Stereo Minijack – Diameter 3.5mm:
- Power Output: 2 x 50mW / 16 OHMs,
- Balanced Audio Jack – Diameter 4.4mm:
- Rechargeable battery Powering:
- Charging Time:
- Approximately 5h.
- High-Quality Components: FTCAP and Film Capacitors,
- Storage Space:
- Internal 64GB,
- The Storage Volume is Expandable with MicroSD Card.
- Dimensions:
- 57.7 x 120.4 x 14.9 mm,
- 2.28 x 4.75 x 0.59-inch,
- Weight:
- 157 g,
- 5.54 oz.
Sony has come a long way.
They seem to by luck or …nah…by luck, to have nailed it.
This is what they have done
https://en.wikipedia.org/wiki/Walkman
Just reading that makes me remember why it took so long to return. Like they were trying to keep me away and kill their own market…and now they are on their way back to taking what was theirs. Do they even realize that? Who cares. This unit is awesome. This review is about that and it is in fact excellent.
Get it in Asia
http://www.accessoryjack.com/sony-nw-zx300-walkman-with-high-resolution-audio-black.html
Get it in America
Hiby R6 DAP Full REVIEW
The Great Sound Generator
The Hiby R6 is the world’s most advanced HiFi music player, it comes with not one, but dual ES9028Q2M DAC chips, coupled with a HiFi discrete amplification architecture after the dual DACs comprising 5 separate chips, including high quality OPA1612 LPF and TPA6120 amplification chips for high power output (up to 300mW under a 32Ω)
R6 supports all high-resolution audio formats, equipped with WiFi and DNLA Bluetooth 4.0 aptX, ensuring flawless wireless communication.
From Hiby
Unboxing and build





Even the cables are awesome


pictures with lint of dust will be removed later and burned forever. OCD folks accept my apologies
Photo bombs awaaaaay!!!









You wanna Tweak? Me too!
Hiby has it’s own steroid enhanced version of Viper for Android and boy is it a winner.
MageSound 8-Ball
That’s the name of their main DSP or should I say full suite of DSP’s


It’s called 8-ball but has 10 setting bars


Each of the 10 sliders has an effect of counter effect that can be adjusted in increasing amounts of range
![Screenshot_20171226-210245[1]](https://badguygoodaudioreviews.com/wp-content/uploads/2017/12/screenshot_20171226-2102451.png?w=840)
Other DSP include a Parametric EQ which is really what most folks like myself want. It is a work in progress as I have a pre-release device and pre-release firmware. It should be epic when complete.


Has a standard Graphic EQ with some pre-sets.




Before we continue..

Digital music players do not have sound characteristics like:
speakers/transducers/drivers <<<all names for the same thing which are your headphones or earbuds and everything in between.
Calling a Music player “U” shaped (Bass up, mids down, Treble up) is a symptom of the internet allowing anyone with a website…(looks in mirror) to make pronouncements about shit they know nothing about. George D. (Figure it out) is a guy who loves everything and drops the collective I.Q. of the entire hobby by about 20pts. He’s a hype man who thinks he reviews stuff.
No, I’m a hype man. I hype what I love and you don’t see stuff I don’t like. You see an un-box and then nothing ever again. What happened to that thing?
Short version?
kinda sucked, not gonna advise anyone spend anything on it. That’s it.
These devices with help from filters have very subtle nuances that make one or the other more preferable to any given individual.
You got it? Your fucking headphones exert more influence on the final sound you hear and anyone who implies otherwise is a fucking con man plain and simple.
Moving the fuck on….



Spec’s
-
Bit-perfect output (bypassing Android SRC)
First DAP manufacturer to come right out and claim bit-perfect without any qualifiers about this mode or that setting. It has what they call DTA (Direct Transport Audio)
-
Dual ES9028Q2M DACs for a silky smooth sound
Mobile version of high quality DAC x2
-
Snapdragon 425 SoC Processor with 3GB RAM
This is where shit get real. 3 gigs. What is the difference between a DAP with 1 gig or 2? Who cares…They both don’t have 3. The Hiby R6 has 3 and this device is very fucking fast son
-
4.2’’ 768X1280 Touchscreen
Very nice screen, lie the Dx200 without ghosting and pedestrian ipod audio quality.
-
Android 6.X system
Almost the latest and very stable. no glitches even on my demo model
-
Four-Way LPF for First-Rate Amplification
-
32GB Build-in Storage and up to 2TB expandable Storage
-
Support most high-resolution audio formats, at up to 384kHz/32Bit, DSD 256
-
Supports Line out and coaxial digital output
-
12 hours playing time with Quick Charge 3.0
-
2.4/5G Wi-Fi
-
Bluetooth 4.0 ( aptX )
![20171211_225143[1]](https://badguygoodaudioreviews.com/wp-content/uploads/2017/12/20171211_2251431.jpg?w=840)
Why this DAP and not the other?
Speed.
Blazing 3Gig of RAM…hold my phone wait… no that’s my DAP ..kinda speed that is going to be the industry standard within months of this post for top shelf items running robust droid platforms.
The R6 has the fastest, most intuitive user interface of any droid based DAP I have ever touched. It’s insane.

Stuff I don’t like:
- 1 SD card
This is done with a mind toward speed and was not a cost saving thing on the part of Hiby…knowing that and understanding that makes it O.K., but…….I want the whole world in my hand
I want the whole world in my hand
I want the whole… world… in… my…. haaaaaaaaaand!!
- I want a cover, should have a jacket to protect it’s sexy body. Fake leather…free in package…real leather…optional item 🙂
(Insert comparisons to other DAP’s here)
Ever read music player compares and the dude never even mentioned the songs played when the conclusions were made? Kinda boggles the mind.
I got you bruh!
Before I started messin’ with DSP the sound had a sense of impact that is not going to show in a graph. Aside from that every trait assigned to this device by others in the future will be them talking about their IEM/Headphones.
Bass, wide stage, mids/treble are driver traits.
Sony EX1000 are my ears. I know these so well.
They have a audiophile bass but can be EQ’d. Before doing so, the bass on these seemed stout and defined with impact when using the Hiby R6 in balanced mode. The filters and power stage on this device must be real good.

If you want to ask about the R6 compared to another it will be using the Sony EX1000 or Unique Melody ME.1 and it will be a song from the albums above so if you don’t have those IEM or listen to that music it is a waste of time. Sorry but welcome to the real world. With different gear and music the result will be different. That is self explanatory.
My video review
Kind of an un-box


Do I rec it?
Yeah, I think it is the fastest best sounding most tweakable DAP on the market at any price range and the build quality is outstanding. They built this to punch the market in the mouth and they broke some teeth…they really built an amazing device.
Joe Bloggs and team kicked some ass.
That’s my Hiby R6 review….beechuz
Pre-order here
https://www.indiegogo.com/projects/hiby-r6-worlds-most-advanced-android-hi-fi-player-music
Trust me. Or another dude you never met who never talks about what they listened to while judging audio gear…

NCM Bella 1DD 8BA Universal IEM REVIEW
The NCM “Bella” is an IEM that will appeal to Bassheads and Audiophiles alike…no easy task..that.
The “Bella” is an absolutely gorgeous set of IEM which bridges the Audiophile/Basshead gap quite nicely

The NCM “Bela” uses
(x1) Dynamic 10mm driver
(x8) Balanced armature drivers.
Accessories:
Shock proof case
Soft carrying pouch
Cleaning tool and cloth
OFC ultra soft removeable cable
Specs (from site)

Photo Bombs away motherfuckers!











Design


Typical Universal IEM using the bump for resting on the inner ear to hold the DD. They actually have made the smallest 1DD 8 BA hybrid I have seen and it is smaller than the Kumitate Labs KL-REF which is a DD BA hybrid but has less BA
NCM has stuffed a lot of stuff into a shell the size of 64 Audio’s U12 sized frame
The “Bella” is smaller or identical to U12 and smaller than ME.1
![20171220_221648[1]](https://badguygoodaudioreviews.com/wp-content/uploads/2017/12/20171220_2216481.jpg?w=840)
![20171220_221743[1]](https://badguygoodaudioreviews.com/wp-content/uploads/2017/12/20171220_2217431.jpg?w=840)
Sound impressions:
BASS

Going Back to Cali
Hit that play button!!
The Bella slams on this classic track. Without EQ it hits hard and with an amp and EQ it is among the heaviest hitters I have tried. NOTHING beats a Dynamic Driver for bass impact. The 8 BA drivers assure that the rest of the frequency does not disappear.
This is a set that goes from polite to slamming pretty easy.

Git some of that low end baby!

STAGE

On the Run
My go to track for panning cues and the Bella has a massive virtual stage. The 8BA are doing good work and the tuning lends itself to present big stages in a big way. I hate compact deliveries and this does not do that. Having lots of bass and lots of stage is a hard find and Bella does it well. The left to right and back panning cues on this classic Floyd track are all there and very clear. I was expecting a bass monster with no mids and a limited stage and got a shit ton of space and sparkle.
MIDS

Gold Dust Woman
Because of the male and female vocals through this track and the quality of the mastering it is a great track to judge vocals and any sense of them being pushed back or forward. The mids are a tad forward but it is actually a nice listen and the graph shows a smooth transition from bass thru mids to treble. they sound a bit forward (vocals) bit recessed is unacceptable to me and a touch forward is what I prefer.
TREBLE

Wanna Be Startin’ Somethin’
This is where the “Bella” really really shines. See that graph above again. The treble is bumped right in the sweet spot and not spiking at 7.5-9khz. It is falling but no sense of roll off. The details in this awesome track on this fucking awesome album…..Mike got weird but this lbum was an epic masterpiece of mixing by Quincy Jones and others.
For a set that was focused on bass when sent to me…I imagine? The Treble steals the show. Absolutely tuned perfect for my ears. I played through and loved this whole fucking album on Bella….absolutely fuckingdope!
This is sparkle. Slam and sparkle with no scoop…2017 ladies and gents…good times!! The Hybrid sets are getting better and better
Conclusion
I had no idea who NCM was and they contacted me…and I am glad they did. Thomas was polite and did everything he was going to do when he said he would do it.
I would rec the company anytime. I have no incentive to kiss ass. I wouldn’t anyway but I got none. The dudes from Vietnam are cool very cool and the gear they make is fanfuckingtastic!
I highly rec the “Bella”. Never assume but……gotta imagine they make some more good shit over at NCM.
Big Thanks to Thomas!
Their website is here
Their Facebook is here
https://www.facebook.com/nguyencustomsmonitors/
Their Instagram is here
https://www.instagram.com/nguyencustom/
Listened to this just before my review…good shit!
VIDEO REVIEW ON YOUTUBE IN ABOUT 1 WEEK
King of Customized Gear (PETEREK)
O.G. Audio community member CasperTFG/PETEREK, has been modding gear for a long time. Terminations, paint jobs, wood covers…you name it. He is not nutzo crazy about price either.
Best modder in the hobby, PETEREK, Check him out!
https://www.etsy.com/shop/ThePETEREK?ref=seller-platform-mcnav















He turned my MA-900 into balanced mini xlr multi termination beasts
Highly rec this dude!






Check him out for your custom needz!






